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DTSTART;TZID=America/Toronto:20240322T190000
DTEND;TZID=America/Toronto:20240322T200000
DTSTAMP:20260409T054143
CREATED:20240320T211410Z
LAST-MODIFIED:20240508T030034Z
UID:444-1711134000-1711137600@yyzartistsoutlet.org
SUMMARY:Artist Talk: Zinnia Naqvi
DESCRIPTION:Please join us at the gallery on Mar. 22 at 7 PM to participate in conversation with Zinnia Naqvi and Zehra Nawab on the occasion of Zinnia’s exhibition the person you don’t see in this image is me\, the camera person. \nZehra Nawab is a multidisciplinary artist working in documentary-film\, journalism\, illustration and theatre. She is the writer and co-director of the documentary ‘Home Truths\,’ exhibited as part of the travelling ‘Making Heimet’ exhibit from the Venice Biennale. Zehra is the recipient of the Agahi Award\, Journalist of the Year 2016: Reporting on Culture\, for the Herald magazine cover-story ‘Seeking Paradise’. She has also co-directed the experimental documentary-film ‘Mad Mad Mad Film World’ which  screened at the Contemporary Art Gallery\, Vancouver. She is presently collaborating with Pat The Dog theatre on writing ‘The Vintage Project.’ As an illustrator she has most notably designed the cover for ‘Sita Under the Crescent Moon’ published by Simon & Schuster In. She has also illustrated for the Registry Theatre and for The New Quarterly. Zehra is the top 3 finalist in the Best Local Artist category of the Waterloo Record Readers’ Choice Awards. \n\nZinnia Naqvi (she/her) is a lens-based artist working in Tkaronto/Toronto\, Canada. Her work examines issues of colonialism\, cultural translation\, social class and citizenship through the use of photography\, video\, the written word\, and archival material. Recent projects have included archival and re-staged images\, experimental documentary films\, video installations\, graphic design\, and elaborate still-lives. Her artworks often invite the viewer to consider the position of the artist and the spectator\, as well as analyze the complex social dynamics that unfold in front of the camera. \nNaqvi’s work has been shown across Canada and internationally. Recent solo exhibitions have been presented at Whippersnapper Gallery in Toronto\, C’cap in Winnipeg\, Dazibao and Pierre-François Ouellette art contemporain in Montreal. She is a 2022 Fall Flaherty/Colgate Filmmaker in Residence and recipient of the 2019 New Generation Photography Award organized by the National Gallery of Canada. Naqvi is member of EMILIA-AMALIA Working Group\, an inter-generational feminist collective. Naqvi received a BFA in Photography Studies from Toronto Metropolitan University and an MFA in Studio Arts from Concordia University. She is currently a sessional lecturer at the University of Toronto and Toronto Metropolitan University. \nPresented in partnership with the Canadian Filmmakers Distribution Centre (CFMDC).
URL:https://yyzartistsoutlet.org/event/artist-talk-zinnia-naqvi/
LOCATION:YYZ Artists’ Outlet\, #140-401 Richmond St. W\, Toronto\, Ontario\, M5V 3A8\, Canada
CATEGORIES:Artist Talk
ATTACH;FMTTYPE=image/jpeg:https://yyzartistsoutlet.org/wp-content/uploads/2024/04/introshot.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20230428T171500
DTEND;TZID=America/Toronto:20230428T180000
DTSTAMP:20260409T054143
CREATED:20230426T182308Z
LAST-MODIFIED:20240508T031120Z
UID:445-1682702100-1682704800@yyzartistsoutlet.org
SUMMARY:Arrivals and Departures: Artist Talk and Public Opening
DESCRIPTION:YYZ welcomes you to a public conversation with Heather Nicol\, Eve Egoyan and Sigrun Drapatz\, moderated by Jennifer Rudder on Friday April 28 at 5:15 PM. The exhibition reception will follow\, 6:00 – 8:00 PM. \nExhibition is on view from Saturday April 1 to Saturday July 15\, 2023. \nImage credit: “Europlatz”\, Simone Haeckel\, 1989 – 2023.
URL:https://yyzartistsoutlet.org/event/arrivals-and-departures-artist-talk-and-public-opening/
LOCATION:YYZ Artists’ Outlet\, #140-401 Richmond St. W\, Toronto\, Ontario\, M5V 3A8\, Canada
CATEGORIES:Artist Talk
ATTACH;FMTTYPE=image/jpeg:https://yyzartistsoutlet.org/wp-content/uploads/2024/04/euro-e1679077039924.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20230225T140000
DTEND;TZID=America/Toronto:20230225T150000
DTSTAMP:20260409T054143
CREATED:20230210T020950Z
LAST-MODIFIED:20240508T031156Z
UID:447-1677333600-1677337200@yyzartistsoutlet.org
SUMMARY:Exhibition Tour: Ryan Park
DESCRIPTION:Please join us Saturday February 25 at 2:00 PM for a tour of Ryan Park’s exhibition Under the Sun led by the artist. \nUnder the Sun presents recent sculptural photo-objects that reference small scale convenience stores. Taking the form of illuminated commercial sign boxes seen on storefronts\, the artworks combine text and imagery from signs with shadows cast upon them by foliage from trees. Evidence of the sun\, artificial light\, photosynthesis\, and objects of consumption connect various processes of energy and material transformation. The objects embed human\, earthly\, and celestial time frames. Working schedules are presented alongside cycles of days and seasons\, and the lifespan of things on the surface of the Earth with that of the Sun. \nRyan Park’s practice begins with the camera as a tool and mindset\, producing works across media including print\, sculpture\, video\, painting\, and installation. His works have been exhibited and screened throughout Canada and internationally including at the Art Museum at the University of Toronto\, Modern Fuel Kingston\, Forest City Gallery London\, and the Blackwood Gallery in Mississauga. He has a BFA in interdisciplinary art from the Nova Scotia College of Art and Design and an MFA from the University of Guelph. He lives and works in Toronto. \nRyan Park gratefully acknowledges the support of the Canada Council for the Arts\, Ontario Arts Council\, Toronto Arts Council\, Daniel Gallay\, José Andrés Mora\, and Liana Schmidt.
URL:https://yyzartistsoutlet.org/event/exhibition-tour-ryan-park/
LOCATION:YYZ Artists’ Outlet\, #140-401 Richmond St. W\, Toronto\, Ontario\, M5V 3A8\, Canada
CATEGORIES:Tours
ATTACH;FMTTYPE=image/jpeg:https://yyzartistsoutlet.org/wp-content/uploads/2024/04/YYZ_Park_Image.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20230218T140000
DTEND;TZID=America/Toronto:20230218T170000
DTSTAMP:20260409T054143
CREATED:20230210T022616Z
LAST-MODIFIED:20240508T030330Z
UID:446-1676728800-1676739600@yyzartistsoutlet.org
SUMMARY:Record Launch: Bill Burns
DESCRIPTION:YYZ is pleased to host the Toronto launch of Bill Burns latest project. \nJoin us Saturday February 18 2:00 to 5:00 PM. \nBill Burns is launching a new recording of Country Songs About Donkeys\, Milk\, Honey and Trade featuring Marshall Burns (his nephew) –  a 7 inch record produced by the Dunlop Art Gallery\, Regina. \nCountry Songs About Donkeys\, Milk\, Honey and Trade \nIn 2018 Bill Burns walked up a mountain in the Swiss Alps at a place called Atelier Amden. He was accompanied by two donkeys who carried a load of salt from the local salt mines.  At the apple orchard he traded salt for a few apples and at the beekeeper’s house he traded a few apples for honey. At the top of the mountain he served apples drizzled with honey and a pinch of salt to a small crowd of people . \nIn 2021 Bill walked through the copse near the Humber River in Toronto with a brass band\, a group of Georgian Chanters\, three goats\, a pair of donkeys\, a load of salt and a beekeeper.  After the salt was unloaded and the honey was rendered the goat keeper milked the goat. Now at the Oculus Pavilion Bill mixed the milk and honey and salt together in a pot using a Bunsen burner. \nIn 2022 at Regina\, Saskatchewan as part of his project at the Dunlop Art Gallery\, Bill commissioned his nephew Marshall Burns to write and a group of talented country singers to sing songs about his donkey walk in Switzerland as well as his goat milking and honey rendering events in Regina\, Argentina and Toronto. The results were a joyful walk about Victoria Park in Regina and the 7 inch 45 rpm record that we are launching on February 18 at YYZ. \nThis project is supported by Dunlop Art Gallery\, curated by Tomas Jonsson. We thank YYZ Artists’ Outlet for supporting this project launch. \nJacket and label design by Shannon Griffiths. \nMusic by Marshall Burns \nLyrics by Marshall Burns with notes from Bill Burns \nProduced by Marshall Burns and Christopher Sleightholm \nRecorded and Mixed by Christopher Sleightholm at Song Has No End Studio \nMastered by Orion Paradis \nSide A \nThe Milk and the Honey: \nMarshall Burns – Vocals\, Guitar\, Wooden Spoons \nChristopher Sleightholm – Bass \nBrigid McNutt – Fiddle \nSide B \nA Ballad of Two Donkeys: \nMarshall Burns – Vocals\, Acoustic Guitar \nChristopher Sleightholm – Baritone and Slide Guitar\, Wooden Block \nAndy Beisel – Mandolin \nThis recording is made as part of a collaboration with Bill Burns’  ongoing project about advanced industry\, animals and trade known as The Salt\, the Milk\, the Donkey\, the Honey\, the Country Singers. \nThis production is supported by the Canada Council for the Arts\, the Saskatchewan Arts Board\, and Saskatchewan Lotteries.  Bill Burns thanks Roman Kurzmeyer\, the Atelier Amden\, Alfred Richterich Stiftung\, Toronto Arts Council and the Ontario Arts Council and the Canada Council for the Arts\, for their generous support. YYZ is grateful for the generous funding of the Canada Council for the Arts\, the Toronto Arts Council and the Ontario Arts Council. \nBILL BURNS was born into a book selling family in Regina\, Saskatchewan. He received an MA from Goldsmiths College in London. His work about nature and civil society has been shown at the Institute of Contemporary Arts\, London; the KW Institute for Contemporary Art\, Berlin; the Museum of Modern Art\, New York and the Seoul Museum of Art\, Seoul. He has published more than a dozen artist books and audio recordings with national and international publishers. He has been Artistic Director of the Dogs and Boats and Airplanes choir since 2010. Burns lives in Toronto\, Canada. \nHis most recent titles include A Book About the Power 100\, published by Verlag Mark Pezinger\, Vienna (2018) and Hans Ulrich Obrist Hear Us\, published by YYZBOOKS and Black Dog Publishing\, London\, UK (2016). His artists’ editions are included in collections at Tate Britain\, London\, the Museum of Modern Art\, New York\, and the Getty Center\, Los Angeles. Mr Burns is also Artistic Director of the Dogs and Boats and Airplanes Experimental Children’s Choir. The choir has produced live performances and audio works at festivals in Australia\, Argentina\, the UK and Canada. \nBill Burns studied under Mowry Baden at University of Victoria\, Canada and with Gerard Hemsworth and John Latham at Goldsmiths College\, London\, England. \nMore info can be found here: https://dunloplearning.ca/exhibitions/bill-burns-exhibition#artists
URL:https://yyzartistsoutlet.org/event/record-launch-bill-burns/
LOCATION:YYZ Artists’ Outlet\, #140-401 Richmond St. W\, Toronto\, Ontario\, M5V 3A8\, Canada
CATEGORIES:Launch
ATTACH;FMTTYPE=image/jpeg:https://yyzartistsoutlet.org/wp-content/uploads/2024/04/Burns-Bill-Image-record-launch_2-scaled-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20230211T140000
DTEND;TZID=America/Toronto:20230211T150000
DTSTAMP:20260409T054143
CREATED:20230202T235913Z
LAST-MODIFIED:20240508T030457Z
UID:448-1676124000-1676127600@yyzartistsoutlet.org
SUMMARY:Exhibition Tour: Hyang Cho
DESCRIPTION:Please joins us for a tour of the exhibition Certain Things from Uncertain Momentson Saturday February 11 at 2:00 PM with artist Hyang Cho. \nCertain Things from Uncertain Moments glimpses the passing\, accumulating\, and sometimes repeating time in every day through tangible things. There are lumps made of books that I read or unread\, the bones from the animals I eat\, the bookmarks made of stray hairs falling every day\, the living\, dying\, and dead plants sprouted from the fruit seeds I spit\, and the bugs found dead or killed by accident or on purpose. These things scrutinize the prejudices\, discriminations\, inconsistencies\, and contradictions in everyday life in which one can be sensible and irrational\, selfish and generous\, cruel and kind\, vulnerable and secure\, and pretentious and frank at the same time. \nHYANG CHO’s art\, derived from everyday anxiety and uncertainty\, engages trivial things and mindless actions through repetition and accumulation. Her works recognize the uselessness of useless things\, the boredom of boring activities\, and the ordinariness of everyday life. Cho holds a Bachelor of Arts in History from Sogang University\, Seoul\, Korea (1998)\, a Bachelor of Fine Arts from the Alberta College of Art + Design\, Calgary (2007)\, and a Master of Fine Arts from the University of Guelph\, Ontario (2009). Her exhibitions include ‘At Random’ at Open Space in Victoria (2018)\, ‘Counterpoint’ at Modern Fuel in Kingston (2016)\, ‘Nothing Much’ at Georgia Scherman Projects in Toronto (2015)\, and ‘Procés’\, at Optica un centre d’art contemporain in Montréal (2013). Born and grew up in Seoul\, Korea\, Cho currently lives and works in Guelph. \nHyang Cho would like to acknowledge the support of the Canada Council for the Arts and the Ontario Arts Council.
URL:https://yyzartistsoutlet.org/event/exhibition-tour-hyang-cho/
LOCATION:YYZ Artists’ Outlet\, #140-401 Richmond St. W\, Toronto\, Ontario\, M5V 3A8\, Canada
CATEGORIES:Tours
ATTACH;FMTTYPE=image/jpeg:https://yyzartistsoutlet.org/wp-content/uploads/2024/04/HyangChoNewImage.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20230114T150000
DTEND;TZID=America/Toronto:20230114T170000
DTSTAMP:20260409T054143
CREATED:20230108T223951Z
LAST-MODIFIED:20240508T030604Z
UID:451-1673708400-1673715600@yyzartistsoutlet.org
SUMMARY:Out of School: Information Art and the Toronto School of Communication\, Adam Lauder
DESCRIPTION:Please join us  Saturday January 14\, 3:00 – 5:00 PM as we host Dr. Adam Lauder to launch his recent publication Out of School: Information Art and the Toronto School of Communication published by McGill-Queen’s University Press. \n 
URL:https://yyzartistsoutlet.org/event/out-of-school-information-art-and-the-toronto-school-of-communication-adam-lauder/
LOCATION:YYZ Artists’ Outlet\, #140-401 Richmond St. W\, Toronto\, Ontario\, M5V 3A8\, Canada
CATEGORIES:Launch
ATTACH;FMTTYPE=image/jpeg:https://yyzartistsoutlet.org/wp-content/uploads/2024/04/Lauder_YYZ-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20221208T190000
DTEND;TZID=America/Toronto:20221208T200000
DTSTAMP:20260409T054143
CREATED:20221208T013757Z
LAST-MODIFIED:20240508T031021Z
UID:453-1670526000-1670529600@yyzartistsoutlet.org
SUMMARY:Artist Talk with Susan Rowe Harrison
DESCRIPTION:Join our artist talk via Zoom on Thursday December 8 at 7 pm. \nJoin Zoom Meeting\nhttps://us02web.zoom.us/j/84258858436?pwd=RDUxUHlwR2xmYjgrZHhkWWNyb3RDUT09 \nMeeting ID: 842 5885 8436\nPasscode: 516770 \nWeather Report on view until Saturday December 17 \nThe climate crisis is overwhelming—the problem is so huge that we struggle to understand its effects and outcomes on everyone in every place in the world. \nWith a nod to Oscar Wilde\, while thinking about the climate crisis\, deep ecology\, reflection\, and all I don’t know tangled up with all that I imagine\, a love of nature\, and a sprinkle of hope\, Weather Report is a pictorial cycle on the gallery walls that explores how humans are destroying the living world in a gothic landscape where plants that once flourished progressively fade or thrive depending on how you move through the room. It is neither a hopeful future nor a catastrophic one. Scale is challenged; with plant forms reaching 12 feet high\, we are tiny in this landscape. Mirrored mylar reflects the viewer but also implicates us in this ecosystem as it grows and falls apart\, and yet will our mark be visible in ten million years? The installation is Monet’s garden for a changing world (eco-system). The series of hand-cut vinyl pieces reflect the struggle for survival all over our planet today and the beauty and wonder in it. \n  \nSUSAN ROWE HARRISON utilizes painting\, drawing\, ceramics\, and large-scale site-based work to explore her fascination for natural environments and our relationship to them. Rowe Harrison studied painting and drawing at the School of the Art Institute of Chicago\, Chicago\, Illinois (1990-1991). She earned an MA\, Art\, Education\, and Community Practice from New York University\, New York\, NY (2003) and a BA\, History of Art from the University of California-Berkeley\, Berkeley\, California (1987). Rowe Harrison has been shown and collected internationally\, including LinkedIn NYC (Empire State Building)\, Hyatt Hotels\, Pfizer NYC\, Arts Etobicoke/Amnesty International\, Autoshare/Art on the Move\, Floorworks/Relative Space\, Bookhou\, The Gladstone Hotel\, Wave Hill\, the University of Chicago Committee on Japanese Studies\, The Newberry Library\, and FIFA World Cup/Seoul 2002. Rowe Harrison currently lives and works in New York. \nWe’d like to thank the Puffin Foundation for their support of this project.
URL:https://yyzartistsoutlet.org/event/artist-talk-with-susan-rowe-harrison/
LOCATION:YYZ Artists’ Outlet\, #140-401 Richmond St. W\, Toronto\, Ontario\, M5V 3A8\, Canada
CATEGORIES:Artist Talk
ATTACH;FMTTYPE=image/jpeg:https://yyzartistsoutlet.org/wp-content/uploads/2024/04/YYZ_ROWE_image-maquette_weatherreport_1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20220721T180000
DTEND;TZID=America/Toronto:20220721T200000
DTSTAMP:20260409T054143
CREATED:20220721T010541Z
LAST-MODIFIED:20240508T031542Z
UID:454-1658426400-1658433600@yyzartistsoutlet.org
SUMMARY:Artist Talk with Aaron Jones and Chiedza Pasipanodya
DESCRIPTION:Join us over zoom Thursday July 21 at 6:00 pm for a conversation with Aaron Jones and Chiedza Pasipanodya on Jones’ current exhibition at YYZ “Between Sea and Sky.” \nExhibition closes Saturday July 30. \nJoin Zoom Meeting\nhttps://us02web.zoom.us/j/85399628542?pwd=aDgreW9IZDlVU1I1Zk5HV3lMQnM1dz09 \nMeeting ID: 853 9962 8542\nPasscode: 480798
URL:https://yyzartistsoutlet.org/event/artist-talk-with-aaron-jones-and-chiedza-pasipanodya/
LOCATION:YYZ Artists’ Outlet\, #140-401 Richmond St. W\, Toronto\, Ontario\, M5V 3A8\, Canada
CATEGORIES:Artist Talk
ATTACH;FMTTYPE=image/jpeg:https://yyzartistsoutlet.org/wp-content/uploads/2024/04/YYZ_Aaron-Jones_Image_WEB.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20220707T190000
DTEND;TZID=America/Toronto:20220707T210000
DTSTAMP:20260409T054143
CREATED:20220624T092217Z
LAST-MODIFIED:20240508T032050Z
UID:455-1657220400-1657227600@yyzartistsoutlet.org
SUMMARY:Artist Talk with Brynn Higgins-Stirrup in conversation with Alanna Thain
DESCRIPTION:YYZ Is pleased to present \nArtist Talk with Brynn Higgins-Stirrup in conversation with Alanna Thain\nAT 7:00 PM on Thursday July 7\, 2022 \nJoin Zoom Meeting\nhttps://us02web.zoom.us/j/82554437107?pwd=0QoNPpu26x7Idk7xxUAc2AFC2d6GcE.1 \nMeeting ID: 825 5443 7107\nPasscode: 363805 \nBrynn Higgins-Stirrup is a Canadian interdisciplinary artist working in drawing and sculpture. Higgins-Stirrup was an Artist-in-Residence at Virginia Commonwealth University’s campus in Doha\, Qatar (2020) and returned a year later to present the solo exhibition Figure Drawn at Virginia Commonwealth University’s School of the Arts in Qatar along with a publication on her work of the same name. \nShe is a recent recipient of the Canada Council for the Arts Concept to Realization Grant to support her exhibition at YYZ. She has presented exhibitions internationally and is the recipient of multiple major grants from the Canada Council for the Arts\, the Ontario Arts Council\, and the University of Michigan. She is currently exhibiting her work Hand in Handat Midwestern State University\, Wichita Falls\, USA. \nHiggins-Stirrup holds an MFA in Visual Art from the University of Michigan. She has completed residencies and research-creation grants internationally in Canada\, the United States\, India\, Switzerland\, and Japan. \n  \nAlanna Thain is professor of cultural studies\, world cinemas and feminist studies at McGill University. She directs the Moving Image Research Lab\, devoted to the study of bodies in moving image media. She writes about dance\, cinema\, performance\, time and embodiment and is the author of Bodies in Suspense: Time and Affect in Cinema (U. of Minnesota Press\, 2017). \n  \nImages Credit: Allan Kosmajac \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n 
URL:https://yyzartistsoutlet.org/event/artist-talk-with-brynn-higgins-stirrup-in-conversation-with-alanna-thain-at-700-pm-on-thursday-july-7-2022/
LOCATION:YYZ Artists’ Outlet\, #140-401 Richmond St. W\, Toronto\, Ontario\, M5V 3A8\, Canada
CATEGORIES:Artist Talk
ATTACH;FMTTYPE=image/jpeg:https://yyzartistsoutlet.org/wp-content/uploads/2024/04/YYZ_Higgins-Stirrup_image_WEB_FEATURED_IMAGE.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20220512T190000
DTEND;TZID=America/Toronto:20220512T210000
DTSTAMP:20260409T054143
CREATED:20220510T202519Z
LAST-MODIFIED:20240508T032324Z
UID:456-1652382000-1652389200@yyzartistsoutlet.org
SUMMARY:Artist Talk With Eva Kolcze And Sarah Pupo\, Moderated By Justine Kohleal
DESCRIPTION:Join our Zoom Artists’ Talk\nhttps://us02web.zoom.us/j/85495762383?pwd=OG9Obis3WTFxYmRRaWo3NjRVbGZvQT09 \nMeeting ID: 854 9576 2383\nPasscode: 704936 \n  \nEva Kolcze is a Toronto-based artist who creates films and installations that investigate themes of landscape\, architecture\, and the body. Her work has screened at venues and festivals including the National Gallery of Canada\, Musée d’art contemporain de Montréal (MAC)\, MOCA Toronto\, the Gardiner Museum\, Nuit Blanche\, Cinémathèque québécoise\, Birch Contemporary\, and the Images Festival. She holds a Bachelor of Fine Arts from OCAD University and a Master of Fine Arts from York University. \nSarah Pupo lives and works in Tiotia:ke/Montreal. Her practice bridges watercolour painting\, drawing\, provisional installation\, and lo-fi animation. Pupo’s work has been exhibited nationally and internationally\, most recently at the Accademia di Romania (Rome\, Italy) and Trinity Square Video (Tkaronto / Toronto\, CA). In 2020 she was a resident artist at the British School in Rome. Other recent residencies include Atelier Circulaire (Tiotia:ke/Montreal\, CA) and the CALQ Québec Studio in Mumbai\, India. Her work has been supported through grants from the Canada Council for the Arts and Conseil des arts et des lettres du Québec. \nJustine Kohleal is an independent curator and writer based in Toronto. She has curated solo exhibitions by national and international artists\, including Beth Stuart\, Thomas J Price\, Howie Tsui\, Sasha Huber\, and Omar Ba. Select past group exhibitions include [INTERFACE] (Fringe Gallery\, Edmonton); Intellectual Play (dc3 Art Projects\, Edmonton); and Sounding the Alarm: The Poetics of Connection (Art Gallery of Ontario). Kohleal holds a curatorial M.F.A from OCAD University and has written for publications including Esse arts + opinions\, Prefix Photo Magazine\, and PrairieSeen. \n  \n  \n  \n \nEva Kolcze CONTINENTAL DRIFT Image by Loading Doc Productions \n \nEva Kolcze CONTINENTAL DRIFT Image by Loading Doc Productions \n \nEva Kolcze CONTINENTAL DRIFT Image by Loading Doc Productions \n \nSarah Pupo ALL THINGS ALONG WITH US Image by Art Links \n \nSarah Pupo ALL THINGS ALONG WITH US Image by Art Links  \nSarah Pupo ALL THINGS ALONG WITH US Image by Art Links \n  \n  \n 
URL:https://yyzartistsoutlet.org/event/artist-talk-with-eva-kolcze-and-sarah-pupo-moderated-by-justine-kohleal-at-700-pm-on-thursday-may-12-2022/
LOCATION:YYZ Artists’ Outlet\, #140-401 Richmond St. W\, Toronto\, Ontario\, M5V 3A8\, Canada
CATEGORIES:Artist Talk
ATTACH;FMTTYPE=image/jpeg:https://yyzartistsoutlet.org/wp-content/uploads/2024/04/IMG_9651.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20220326T123000
DTEND;TZID=America/Toronto:20220326T163000
DTSTAMP:20260409T054143
CREATED:20220323T203754Z
LAST-MODIFIED:20240508T032547Z
UID:458-1648297800-1648312200@yyzartistsoutlet.org
SUMMARY:Open House with Eva Kolcze\, Sarah Pupo and Lana Yuan.
DESCRIPTION:Join artists Eva Kolcze\, Sarah Pupo and Lana Yuan on Saturday\, March 26th\, 2022 from 12:30 to 4:30 PM for an open house and casual conversation as we experience their current exhibitions: \nEva Kolcze: Continental Drift\nSarah Pupo: All things along with us\nLana Yuan: An Education \nEva Kolcze is a Toronto-based artist who creates films and installations that investigate themes of landscape\, architecture\, and the body. Her work has screened at venues and festivals including the National Gallery of Canada\, Musée d’art contemporain de Montréal (MAC)\, MOCA Toronto\, the Gardiner Museum\, Nuit Blanche\, Cinémathèque québécoise\, Birch Contemporary\, and the Images Festival. She holds a Bachelor of Fine Arts from OCAD University and a Master of Fine Arts from York University. \nSarah Pupo lives and works in Tiotia:ke/Montreal. Her practice bridges watercolour painting\, drawing\, provisional installation\, and lo-fi animation. Pupo’s work has been exhibited nationally and internationally\, most recently at the Accademia di Romania (Rome\, Italy) and Trinity Square Video (Tkaronto / Toronto\, CA). In 2020 she was a resident artist at the British School in Rome. Other recent residencies include Atelier Circulaire (Tiotia:ke/Montreal\, CA) and the CALQ Québec Studio in Mumbai\, India. Her work has been supported through grants from the Canada Council for the Arts and Conseil des arts et des lettres du Québec. \nLana Yuan is a kinetic sculptor and installation artist currently based in Toronto. Her practice is driven by demonstrated contemplation of accelerated consumerism and mechanism society. By fabricating and reassembling hardware\, household waste\, and children’s toys\, Lana explores deep personal emotions\, human relations\, and social attribution\, Her sculptures embody cautionary observations reflecting on consumption and technology’s increasingly pervasive role in human habitual activities. Some of her shows include: “System” in Gallery 1265\,UTSC campus and the Shelley Peterson Student Art Exhibition Art Museum at the University of Toronto both in 2019. She graduated in 2020 as a Bachelor of Studio Art (with Distinction) from University of Toronto.
URL:https://yyzartistsoutlet.org/event/open-house-with-ena-kolzce-sarah-pupo-and-lana-yuan/
LOCATION:YYZ Artists’ Outlet\, #140-401 Richmond St. W\, Toronto\, Ontario\, M5V 3A8\, Canada
CATEGORIES:Open House
ATTACH;FMTTYPE=image/jpeg:https://yyzartistsoutlet.org/wp-content/uploads/2024/04/Continental_Drift_01.jpg
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DTSTART;TZID=America/Toronto:20220310T190000
DTEND;TZID=America/Toronto:20220310T210000
DTSTAMP:20260409T054143
CREATED:20220305T002926Z
LAST-MODIFIED:20240523T204540Z
UID:459-1646938800-1646946000@yyzartistsoutlet.org
SUMMARY:Artist Talk with Jimmy Limit in conversation with Amish Morrell
DESCRIPTION:Join Zoom Meeting \nhttps://us02web.zoom.us/j/85194867662?pwd=UjkxdktGSUVUVTMrN1ljcWNqZG9Tdz09 \nMeeting ID: 851 9486 7662\nPasscode: 630462 \n  \n \nImage courtesy of the artist \n \nImage courtesy of the artist \n \nImage courtesy of the artist \n \nImage courtesy of the artist \n\nUneasy Objects: Recent Still Life Photography of Jimmy Limit \n by Amish Morrell \n  \nFor a long time\, one could easily find old photography field guides at used bookstores and yard sales. Widely published from the 1940s through the 1990s\, these included Kodak’s How to Take Good Pictures\, National Geographic’s Photographer’s Field Guide and myriad encyclopedic how-to series with single volumes dedicated to themes including landscapes\, portraits\, nudes\, fashion and still life photographs. Manuals and handbooks like these showed users what to photograph\, and how to take their photographs\, with instructions on framing\, composition\, lighting\, f-stops and film speeds. Amateur and professional photography was highly scripted\, and photographers sought to create perfect\, magazine-worthy images\, within the parameters of different subject genres. Along with 35 mm cameras and home darkroom equipment\, these books are artifacts of an earlier\, pre-digital period of photography\, where photography had its own genres\, conventions\, and relative autonomy from other artistic mediums. \n  \nProofOfConcept_final2FINALb.tif draws its material from this history\, anchored by three digital photographs that evoke tropes of both still life and commercial product photography. One image depicts a cross-section of an unhusked ear of corn against a red background\, stuck on the end of a spike that has been driven through a scrap of plywood so that it radiates a circle of undulating yellow kernels ringed in green. The corn is less than fresh\, and both the colors and composition are harsh and aggressive. Another image depicts a lightly grilled hot dog\, unadorned and standing improbably on its end\, against a chroma green background. A third image depicts a busy arrangement of round and oblong forms against a blue background\, with fruit\, eggs and pieces of cucumber carefully balanced on hand-thrown ceramic objects and plastic water bottles. While the composition is pleasing\, the fruit is scratched and bruised\, the ceramics are off-centre and misshapen\, and the plastic objects appear as if they have been hastily picked from the recycling bin. The lighting and composition of these images evoke commercial product photography and the still life\, and the objects they include suggest food photography\, but there is something at once funny and rude at play here. They appear to be rejects from the vegetable drawer\, the ceramics studio and the recycling bin. The food is clearly not delicious\, and the images are subtly antagonistic towards the refined genres of photography that they reference. \n  \nAs still lives\, these images further suggest an archeological method\, with the orderly presence of ceramic and plastic objects in the scene with the fruit and pieces of cucumber. They can be read as being arranged taxonomically\, as if they were a scientific record\, or as sculptural figures\, whose bodies are clay\, plastic\, vegetable matter. But their temporal scale is ambiguous: it is not clear whether these images are of the past or the future\, ceramic artifacts from an archeological dig\, plastics from a landfill\, scraps from the compost pile. This juxtaposition of organic and inorganic forms suggest time unfolding at different rates. And if these subjects suggest a destabilizing lack of finality\, so does the printing of the images and the title of the exhibition. The color control patches on the edge evoke test prints\, and the title\, with both “final2” and “finalb.tif\,” evokes the artifice of digital image and its infinite potential revisions. If one looks closely at the still-life with the vases and fruit\, there are also multiple shadows\, so it appears that this image was not made with a single exposure. Within it\, time multiplies\, exposing the myth that photography always and truthfully captures a singular\, linear instant\, instead becoming fragmented\, uncertain and contingent. \n  \nWhile the three photographs reference both commercial photography and digital image-making\, they are embedded within an installation practice that activates an expanded visual field. The exhibition incorporates shelving made from wood leftover when the artist converted his garage into a studio. In turn\, these shelves contain materials used to pack the prints and ceramic objects\, installed between the gallery support columns at the front of the gallery. The installation also incorporates a shelf at the back of the gallery\, displaying some of the ceramic objects that appear in the photographs\, as well as picture frames and sections of the wall painted in colors sampled from the images. The photographs thus expand from 2D representations into 3D space\, from digital representations to real objects\, from the print on the wall to the space of the installation\, and back again. By incorporating strategies from sculpture and installation art\, and referencing interior design\, the exhibition challenges the viewer’s perception of space and the image to consider their own corporeality and movement\, creating an expanded visual field where the viewer can inhabit the image in real space\, and once again imagine this space within the image. The separation between the image and the scene it depicts\, between photography and installation\, and between the studio and the gallery breaks down\, expanding and contracting into one another. \n  \nWith few rare exceptions\, photography is no longer its own discipline separate from other mediums of contemporary art. Nor is it the specialized domain of professionals or well-to-do amateurs who can afford high-quality 35mm cameras. It is in complex dialogue with sculpture\, installation\, and other commercial and popular visual practices. And anyone can take pictures with their iPhone that are as good as those taken by professionals and share carefully curated results on social media platforms. If the images shared on Instagram and Facebook are any indication\, the conventions of commercial product and food photography have been thoroughly assimilated into our everyday lives. As the spaces we inhabit and the objects we surround ourselves with begin to mirror the images we see online\, real space and visual images shape one another at an increasingly rapid rate. The objects in this exhibition play with these scripts\, but in a slightly different key. They are absurd and unnerving\, untidy\, sprawling out into the gallery space. By mining the vocabulary of still-life and commercial product photography\, and by engaging photography as installation\, they challenge the temporal certainty of the photograph\, and make archaeology out of photography itself. \n \nImage courtesy of the artist \nAmish Morrell is Assistant Professor at OCAD University\, where he teaches in the Cross-Disciplinary Arts\, Print and Publications\, and Criticism and Curatorial Practice Programs. From 2009 to 2017 he was Editor and Director of Public Programs at C Magazine. Most recently\, he edited Outdoor School: Contemporary Environmental Art\, published by Douglas & McIntyre (2021). His PhD thesis was on the restaging of historical photographs in contemporary art. \n  \nJimmy Limit is a photo-based artist working in installation\, ceramics and sculpture. He has exhibited in solo and group exhibitions throughout Canada and the United States including Albright Knox Art Gallery\, Buffalo\, Temnikova & Kasela\, Tallinn Estonia\, Rodman Hall St. Catharines\, Clint Roenisch Gallery\, Toronto and Printed Matter\, NYC. His work has been published in The New York Times\, Frieze Magazine and has been featured on the covers of C Magazine and cura. Recent public works have included Photos for a Project in Progress at the Bentway in Toronto and Photos for Vacant Storefronts\, for CAFKA16 in Kitchener\, ON. He was born in Toronto and currently lives and works in St. Catharines\, ON with his partner and three children.
URL:https://yyzartistsoutlet.org/event/artist-talk-with-jimmy-limit-in-conversation-with-amish-morell-at-700-pm-on-thursday-march-10-2022/
LOCATION:YYZ Artists’ Outlet\, #140-401 Richmond St. W\, Toronto\, Ontario\, M5V 3A8\, Canada
CATEGORIES:Artist Talk
ATTACH;FMTTYPE=image/jpeg:https://yyzartistsoutlet.org/wp-content/uploads/2024/04/image.jpeg
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DTSTART;TZID=America/Toronto:20211106T120000
DTEND;TZID=America/Toronto:20211106T160000
DTSTAMP:20260409T054143
CREATED:20211103T192000Z
LAST-MODIFIED:20240820T151723Z
UID:1103-1636200000-1636214400@yyzartistsoutlet.org
SUMMARY:Open House: Andrzej Tarasiuk
DESCRIPTION:Join artist Andrzej Tarasiuk on Saturday\, November 6th\, 2021 from 12 – 4 PM to share thoughts and open dialogues through his current exhibition Broken Trees (September 18 to November 27\,2021).\nSee you here! \nAndrzej Tarasiuk is a Polish-Canadian artist living in Toronto. After earning a diploma in Drawing and Painting from the Ontario College of Art and Design in 2005\, he pursued a variety of projects from street vending to impromptu sculpture-installation. By exploring ways of connecting with people outside traditional art institutions led him to focus on the idea of change. He returned to OCAD University to sharpen his ideas by finishing a Bachelor of Fine Arts in 2014. During this period he developed an interest in creating work about the human relationship with the environment. He attended two self-directed residencies: Un poco del Chocó – Nature Reserve and Biological Field Station in Ecuador\, and Esperanza Verde wildlife and forest conservation project in Peru’s Amazon basin.  The residencies had a positive impact on the evolution of his ideas and work. In 2018\, he explored “connection(s) between science\, art and the natural environment” at LABVERDE\, a Brazilian residency in the Amazon rainforest; developing and presenting his work at the Proyecto’acePIRAR residency in Buenos Aires\, Argentina. In 2020\, he completed and exhibited new work at the Owl Ridge Acres residency in Bancroft\, Canada and Corazon residency in La Plata\, Argentina. In 2020 with the support of the Ontario Arts Council he installed and documented “Biotic / Mechanic Pump V.2” an immersive video installation at Ed Video Media Arts Centre.  In 2022 at RaumArs in Suomi (Finland)\, he will collaborate with the community developing art about possible futures of the human relationship with nature. \nHis interest is in the role perception plays in constructing reality and how that reflects on our relationship and understanding of the environment. Looking at our surroundings through the lens of process\, his work attempts to connect the visible features of an area with the natural and human processes which give it shape. He strives to convey the dynamic nature of place\, not as a collection of individual elements but a complex interrelated network of relationships of which we are a part of.
URL:https://yyzartistsoutlet.org/event/open-house-with-andrzej-tarasiuk-2/
LOCATION:YYZ Artists’ Outlet\, #140-401 Richmond St. W\, Toronto\, Ontario\, M5V 3A8\, Canada
CATEGORIES:Open House
ATTACH;FMTTYPE=image/jpeg:https://yyzartistsoutlet.org/wp-content/uploads/2024/04/Andrzej-vitrine-scaled-e1635618870242.jpg
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