In this episode we catch up on some missed items from the previous interview with Marcus. We talk the politics of listening, being a musician, and doing long-form things in a world that wants everything tidy and tight. We listen to a short piece of Josh’s (because Marcus asked) and a long section of Pandit Pran Nath’s Raga Malkauns as produced by La Monte Young.
Artist Bio
Marcus Boon
Marcus Boon is a writer, editor, and Professor of English at York University in Toronto. He is the author of The Road of Excess: A History of Writers on Drugs (Harvard UP, 2002), In Praise of Copying (Harvard UP, 2010) and The Politics of Vibration: Music as a Cosmopolitical Practice (Duke UP, 2022). He also co-authored (with Timothy Morton and Eric Cazdyn) Nothing: Three Inquiries in Buddhism (U. Chicago, 2015).
Boon co-edited a collection of writings on Practice in the Visual Arts with Gabriel Levine (MIT/Whitechapel Documents of Contemporary Arts series, 2018) and is editing a new edition of William Burroughs and Brion Gysin’s cut-up manual The Third Mind with Davis Schneiderman (U. Minnesota, forthcoming). He is the editor of John Giorno’s Subduing Demons in America: Selected Poems, 1962-2007 (Soft Skull, 2008) and Sparrow’s selected poems and prose, America: A Prophecy! (Soft Skull, 2005), and is currently working on a book about waves. He has written about music for The Wire, Boing Boing, NME, The Face and other journals and collaborates in making immersive vibratory environments with Christie Pearson as Thewaves.