Barbara Balfour’s exhibition is comprised of a varied edition of lithographs shown as a non-linear series. In place of evoking the polarizing terms life’ and death’, these prints are considerations of the more elusive, blurred processes of living and dying. In Living &
Dying, the text functions as a script that changes with the inflection of colour.

But at what point does living become dying? From what vantage point can you best detect this? When does this become that?
Excerpt from Balfour’s text entitled A Matter of L and D.

 

Documentation: Allan Kosmajac