David Court’s work lacks a stable or reliable methodology, operating instead through responsiveness—to architectural contexts, curatorial frameworks, institutional protocols, and theoretical discourse. These considerations operate alongside a form of authorship that self-consciously seeks to address the dramas of the institution and practice of art, on the level of organization, narration and display. Scattered fragments of material (texts, images, and objects) are gathered into ambivalent and theatrical patterns of association, expression, and style. This work operates with and in the tension between the ethical demand of expression and the institutionalization of taste and sensibility, dwelling on various dysphoric affects of contemporary life—states of suspension, alienation, and impasse—as they manifest in artistic practice and material culture.