In her recent series Les Mondes – Frax 4D, Armishaw bridges the distance between “normative” photography, exemplified by the generic horizontal landscape format photograph, which is the familiar fundamental of pictorial space, and a completely synthesized digital image, a mathematically-generated morphed shape not recognizable as any particular form. In her attempt to represent the unseeable – a hypothetical, supernatural reality – her work reveals the fragility of photographic representation and introduces into it a new kind of abstraction.