Richard Ibghy & Marilou Lemmens’ exhibitionDrawing Rainbows in Unequal Airfeatures a series of sculptures that give material form to graphs and diagrams used to map the unequal distribution of wealth in our society in a wide range of disciplines, from economics and sociology to management and gender studies.

Inequality is one of today’s most controversial and widely discussed issues. In most advanced economies, the unequal distribution of wealth, in which the wealthiest people in society possess an ever disproportionate share of the capital, has been increasing over the past couple of decades. This intensification is connected to political changes, especially with regards to taxation and finance, but also to neoliberal economic policies and practices that have strengthened the logic of social exclusion and reinforced uneven access to employment, education, health services as well as other resources. Recently, growing inequality has led to waves of popular unrest, including the Occupy Movement, anti-austerity protests in Southern Europe, the Maple Spring in Quebec and, earlier, the anti-globalization movement.

The starting point for these new works are graphs and diagrams mostly from the last thirty years that the artists have culled from academic journals, reports and other publications. In the works, a variety of simple techniques is employed to playfully contrast the handmade models with the authoritative dimension of the original diagrams. The sculptures vividly render the ways in which economists, sociologists and other researchers have conceived and characterized the distribution of wealth as well as the linguistic articulations involved in their representation. Through these operations, the means by which graphical representations transform complex ideas about inequity into systematised forms is explored, including the relationship that exists between the diagrammatic and mental space, which is to say, how diagrams create forms of thought.

Drawing Rainbows in Unequal Airfollows projects such as The Prophets (2013-2015), in which Ibghy & Lemmens engaged with the language and aesthetics of economic representation, and Each Number Equals One Inhalation and One Exhalation (2016), which focused on the measurement of the productivity of labour. In these recent works the artists explored what it means to move from a material world of entangled, interacting agents to a world of mathematical modelling and graphical abstraction. What transformations of knowledge and sensibilities take place? How are particulars (circumstances, forms of life, actions, desires, etc.) mapped and connected in these models? And, finally, what happens when we bring abstractions back to the concrete? When we go from a formal schema to physical matter?

All works in the exhibition are a commission of the International Studio & Curatorial Program (ISCP).